Putting Nylon Strings on a..

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Joined: 24 Jan 2008
User offline. Last seen 5 days 3 hours ago.

I have been interested in a classical guitar for a long time simply because there are those times when I want a particular sound in an arrangement. Not being in the position to go out and purchase a quality classical guitar, I was curious if anyone has tried putting nylons strings on an accoustic. I have an Ovation Balladeer that appears to enable me to tie the nylon strings onto at the bridge. Pros/Cons?

Also, why do they make the neck width of a classical guitar so bloom'n wide? My hands just arn't that big.

Joined: 23 Mar 2006
User offline. Last seen 7 hours 34 min ago.
Nylon vs. Steel

I'm no expert in classical guitars but I believe one difference between steel and classical nylon stringed guitars is that the neck of steel stringed guitar is built with greater tension to resist the pull of the heavy metal strings. I know that way, way back when they had to change guitar construction to accomodate the heavier strings because the necks of classic guitars would simply snap under the pressure. As amplification technology improved, the guage of steel strings strings began to come down as did the resiliance of the guitar neck.

All that being said, I'm sure that modern guitars aren't as variable in their performance with different guages all the way down to nylon. I'm sure you could at least try out the feel of playing classical if you have a spare guitar to play around with.

And I totally agree with you. The neck width of classical guitars was invented to make us small hand guys feel bad. That's why I hold a pick. :)

-Shawn

Joined: 18 Feb 2008
User offline. Last seen 9 weeks 6 days ago.
Stings

The bracing on steel string guitars is stronger to deal with the stress of steel strings. Stringing with nylon strings will produce a much reduced volume as there is more mass to vibrate. If you use a high tension set of nylon strings you will get a bigger sound. With the guitar that you described I bet that would make a very interesting sound. The necks on classic guitars are wide to accommodate the chord complexities of classic guitar music. I am sure there is more to this but this is all that I know. P.S. Taylor Guitar makes a much narrower neck on their classics. Later, Ben King

Joined: 14 Oct 2008
User offline. Last seen 5 days 4 hours ago.
Nylon vs. Steel

Yes, I've used nylons on a (cheap) steel-string guitar and found the results disappointing. But that has little to do with the guitar's cost or quality.

Besides the steel-string's heavier bracing (than a classical) resulting in lowered volume:
- If the guitar is set for low action, the nylons won't pull on the neck enough to give proper relief. That leads to buzzing and needs a truss rod adjustment, and maybe a higher saddle.
- Nylons tend to vibrate in a wider arc. That also lead to buzzing and (in my reasoning) is one reason for the classical's wider string spacing.
- The unwound high E & B strings, and maybe others, are probably too thick to slip into the nut-slots of a quality steel-string (cheap guitars' slots are often wider than necessary). You really don't want to widen nut slots for an experiment that might not pan out.

DO consider trying "silk & steel" strings. They look like normal steel w/ ball ends and similar diameters, but the wound ones have a fibrous nylon core, resulting in lower tension. They're intended for older or lightly braced steel-string guitars, and fit without modification. They might work fine. I use them on my '60s Martin D-35 12-sting that sounds just great!

- Ed H.

Joined: 14 Mar 2009
User offline. Last seen 2 weeks 1 hour ago.
Narrow neck and classical sound

I've been working on this same issue for many years. It's complicated.

It's not only the difference of X-bracing vs fan bracing, or the higher tension of steel strings. That's what I thought originally, but now I think that the standard Martin-style dreadnought steel-string guitar was actually designed for a different type of sound than the standard Torres-style classical guitar, but it didn't have to be designed that way. I recently heard a hand-made steel string guitar that had the same kind of sound as a classical. It had an unusual V-shaped bracing system. When I first heard it I thought it was a classical guitar. If you were to put nylon strings on that guitar, it would probably sound exactly like a classical. Twenty years ago I built my own homemade x-braced steel-string guitar to try to get that kind of sound, and succeeded by sanding the top down thinner than usual and lightening up the bracing and the bridge. Now that I've realized that classical is the sound I really wanted all along, I've put nylon strings on it, and I'm very pleased with the sound. The neck is 1.65" wide at the nut, a bit tight for nylon strings, with 14 frets to the body plus a cutaway, and an arched fingerboard.

If you put nylon strings on most steel-string dreadnought guitars, the sound you get will be like the sound of one of those "hybrid" or "crossover" narrow-neck nylon-string guitars with an arched fingerboard and 14 frets to the body, which you can find in any guitar store. The most common one is the Ibanez AEG10NE. I put nylon strings on my Seagull M6 and it sounded just like that. It's not a bad sound. It may be exactly what you're looking for. But it's nothing like the sound of a classical guitar, and it's not what I was looking for.

Until recently, the only guitar I ever saw that combined a steel-string neck with a classical soundbox was an old Hondo that a friend has. But then Taylor started making one, and a year or two ago Guild came out with the GAD-4N and GAD-5N, which cost about $1000 each. I've played the 4N, and it's a true classical sound, a beautiful sound, with a very nice action, albeit 12 frets to the body and no cross-arch to the fingerboard. Now there's a Fender that looks very similar to those Guilds, the CDN240SCE, for only $350 but with a Fender logo on the headstock. I assume it sounds like a classical, but I can't be sure because no stores stock it. It's only available online. And I just learned that Alhambra Guitars, the big Spanish luthiery, has started making narrow-necked classical guitars, in the $1000+ range, but I don't think they're available yet, at least in the U.S.

Another option is to buy a classical guitar and trim the neck. Just making a narrower nut for it helps a lot, and is much less work, of course. But you can also cut the neck down in width and thickness and make it feel a lot like a standard steel-string guitar neck. I've done that. 12 frets to the body, and no cross-arch to the fingerboard, but it feels much better than a standard classical neck. The first step is to make the narrower nut, to see how narrow a nut you like. I ended up with 1.75" as my ideal for nylon strings, though I like about 1.65" with steel strings.

P.S. Someone told me that classical necks are wide mainly because Segovia had giant hands, and that Torres actually made guitars with narrower necks.

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